Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Maerten Jacobsz van Heemskerck
Golgotha

ID: 29177

Maerten Jacobsz van Heemskerck Golgotha
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Maerten Jacobsz van Heemskerck Golgotha


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Maerten Jacobsz van Heemskerck

1498-1574 Flemish Maerten Jacobsz van Heemskerck Gallery   Related Paintings of Maerten Jacobsz van Heemskerck :. | The Coronation of the Virgin | Grotesque Self-Portrait | Hemdrickje Stoffels (mk05) | Woman on a High Stool, | Ecce Homo |
Related Artists:
Francesco Traini
Italian Byzantine Style Painter, active 1321-1363
Phillips, Ammi
American Folk Artist, 1788-1865 American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,
Paolo Emilio Besenzi
(1608-1656) was an Italian painter of the 17th century, born and active in Reggio. He trained with Francesco Albani. Friend and companion of Lionello Spada, he painted for the church of San Pietro. He was also known as sculptor and architect.






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